╳ The re-emerging practice of using handcraft techniques in design looks like it’s here to stay, for good this time. What took designers so long? From being an ‘unfashionable’ fringe activity just a couple of years ago, handcraft has now been (re)embraced by cutting-edge designers and manufacturers as a viable alternative, or addition to industrially produced goods. Handcraft is in many ways already a branch of the (luxury) design industry, although such pieces still tend to be expensive. Making an artefact by hand is indeed time-consuming, however do they really need to be so expensive? ╳ B&B Italia, a company usually in the technological forefront, with items usually made in factories believes so. Its 2009 collection of ‘low-tech’ Crinoline chairs designed by Patricia Urquiola in both natural and synthetic materials, retail from GBP 1,338 in rope to GBP 1,194 in polyethylene fibre weaving. "I love working using 'old materials' in a new way or new materials using traditional techniques," Ms. Urquiola said. ‘Crinoline’ is the result of Ms Urquiola’s research into three- dimensional texture - chairs of all sizes have been designed in several different shapes and heights, each with different combinations, for example black-white and black-bronze polyethylene weaves that are joined by cord weaves in natural fibre or painted bronze, and each with a unique price tag!
╳ Revitalising craftsmanship by working with materials such as leather, suede and silk, Helen Amy Murray specialises in handcrafted, sculptural creations inspired by nature, to create three dimensional surfaces within textiles. “As a designer, “ Ms Murray says “I am always thinking about how I can create unique and innovative luxury textiles that create an illusion for the viewer, because I achieve a sculptural aesthetic usually associated with solid materials.” With a philosophy centred on the importance of craftsmanship, all of her textiles are manipulated by hand. Ms Murray has been running her business HelenAmyMurray for 6 years and her clients range from individual private residences and larger commercial projects to interior design and architectural design practices; and the applications for her textiles range from bespoke upholstery to wall coverings. ╳ Thread Count Lab thought: Let’s hope that this ongoing process to ‘rebuild’ novel experiences through handcraft and traditional materials continues and doesn’t just turn into a passing trend.
╳ Images (top to bottom)
Crinoline series
Patricia Urquiola for B&B Italia
Victorian Wing Chair, 2007
Helen Amy Murray
Screen printed Damask on suede
Felt Wall, 2007
Helen Amy Murray
Wool felt with ‘Oriental’ design
Edwardian Tub Chair, 2007
Helen Amy Murray
Leather with ‘Bloom’ design
