╳ The show brought forth a range of projects that explore the potential of the textile medium and its possible applications and techniques, and on show were ‘functional’ to more ‘artistic’ pieces including curtains, furniture, lighting, rugs, multi-media installations, digital animations and film projections. However whilst the exhibition drew together a wealth of creativity, its more important mission was to highlight the dearth of the textile industry with curator Li saying: “It is so important to take notice again of contemporary textile designers who are becoming an endangered species. With the expenditure at colleges and art schools rising, the textile Ateliers are the first to be downsized or removed.”
╳ Two exhibits of particular note included RCA Textiles graduate Grace du Prez, who went to Milan with ‘Embroidered Hairy Hide’ made from embroidered sheep’s fleece fringed with turquoise hair tassels; and Bokja’s divinely embroidered chair. ‘Bokja’ are Hoda Baroudi and Maria Hibri, a Beirut-based duo, who both share a common love for antiques and vintage furniture, as well as a passion for ancient textiles and tapestries from the Levant and countries along the Silk Road. Established in 2000, Bokja is an expression of respect and love for an age-old culture and aesthetic with a human approach. Their concepts represent a poetic use of colour, an emphasis on craftsmanship, and the sustainable use of available materials to express and artistic idea with an ever-present spiritual content.
╳ On a final note, whilst we commend any attempt to promote ‘textiles’ (future, past or present) some of the pieces were lacking in the spirit and true uniqueness of those we loved!
╳ Images (top to bottom)
Embroidered Chair
Bokja
The very stylish Lidewij Edelkoort
‘Talking Textiles’ Exhibition Curator
‘Embroidered Hairy Hide’
Grace du Prez
